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Fahrenheit 451

By Ray Bradbury

 

Class Notes

 

These sample notes that I have created should serve as an example for how you should go about creating your own class notes. In this document you will find quotes from the novel, questions that arise while reading, observations, analysis, etc (*All of my ideas are in italics).

 

Definition of Science Fiction

 

Science Fiction is a genre of fiction in which the stories often depict science and technology of the future. It is important to note that Science Fiction has a relationship with the principles of science—these stories involve partially true, partially fictitious laws or theories of science. The plot creates situations different from those of both the present day and the known past. Science Fiction texts also include a human element, explaining what effect new discoveries, happenings and scientific developments might have on us in the future.

(From: http://www.readwritethink.org/files/resources/lesson_images/lesson927/SciFiDefinition.pdf)

 

Symbolic significance of characters’ names in the novel:

 

Guy Montag:

-Reference to a paper manufacturer

-German term for Monday, which might be seen as a reference to a new beginning

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Clarisse McClellan:

-The root of this name is the Latin word ‘clarus’, which means clear

 

Captain Beatty:

-The words ‘beat’ and ‘beaten’ are derivatives of his name

 

Faber:

-Reference to a manufacturer of pens and pencils (Faber-Castell)

 

(Character info from: http://1102grp2.tripod.com/allusions.htm)

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ANSWER ALL OF THE HIGHLIGHTED QUESTIONS FOUND IN THE NOTES BELOW

Part One: The Hearth and the Salamander

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  • Why is it illegal to drive slowly? (p.9)

  • How does Montag react to the question “Are you happy?” (p. 10) Is he happy? Why is his reaction so peculiar?

  • The way the operator talks/behaves/reacts, suicide seems like a common occurrence…(p. 15-6)

  • Montag takes pills to fall asleep—this seems to be a nightly/ common ritual (p.18)

  • Montag has a peculiar reaction to his wife’s suicide attempt; there is no emotion—it is decidedly neutral /mechanical …disappointed? (p.20) Explain what is peculiar about Montag’s reaction to his wife’s suicide attempt.

  • In debt to pay for multiple TV’s (p.20)—each costs a third of his annual salary of 6000$

  • Clarisse rubs a flower on Montag’s chin and reveals that he’s not in love with anyone, which makes sense if you consider his marriage…(p.22) His reaction to this is defensive and disconcerted.

  • Clarisse has been sent to a psychiatrist (seemingly) because she likes hiking, nature and thinking (p.23)

  • Montag cannot believe that Clarisse (16) is younger than his wife (30)—why? (p.23) Clarisse is more mature in what regards?

  • Clarisse says “No one has time any more for anyone else,” (p.23)—but Montag does, he has time for Clarisse. Starting to seem that Montag is secretly like Clarisse; he looks at the world, observes, thinks, listens…

  • Clarisse observes that Montag is not an average Fireman and offers insight into what the traits of the typical Fireman must be (p.23-4):

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-Montag actually makes eye contact when talking

-Montag is willing to look at the moon when Clarisse refers to it

-Montag is actually willing to talk to Clarisse and not just walk away

-Montag does not threaten Clarisse for thinking and talking and engaging with nature

-Montag is willing to offer/give some of his time—a priceless commodity in a rushed society where nobody has time for anyone or anything

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  • Thus, as a Fireman, Montag is Strange/Atypical…

  • Mechanical Hound, “At once living and dead,” is an interesting metaphor for life in this book (p.24)

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  • Entertainment= watching a fake creature (Mechanical Hound) kill real creatures (rats, chickens, etc.) for fun. Life/ Nature have no value (p.25)

  • Montag questions if the Mechanical Hound/ Robotic Dog is capable of individual thoughts/ decisions/ preferences/ personality traits and individuality apart from the tasks and deeds it is programmed exhibit (p.26-8)

  • Just the fact that the Mechanical Hound treats Montag differently seems to reveal preference; it only lashes out at him.

  • Montag feels paternalistically for Clarisse (p.28)

  • Clarisse tells Montag, “You always seem shocked,” (p.29)—Why is she so shocking to him? Is it because she is so much like him—only fearlessly so & at such a young age? Especially in light of the consequences…

  • Clarisse complains to Montag about what she feels are the problems with the education system (p.29-30):

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-People are brought together and they’re not allowed to talk

-Lengthy classes on a variety of topics, but nobody asks questions

-‘Answers’ are simply recited to students without dialogue

-Students are so drained by the end of the day that they flee to bed or unleash their pent -up destructive urges at the Fun Park where they bully, destroy windows, cars, etc.

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  • Clarisse: “I’m afraid of children my own age. They Kill each other,” (p.30)

  • Clarisse: “People don’t talk about anything,” (p.31)

  • Clarisse is inexplicably gone and everything seems to be empty (p.32)

  • Montag is burdened by guilt, but why? (p.33)

  • Montag expresses empathy to his co-worker, Beatty, and ends up shocking him. Montag feels bad for a guy (he goes mad, ends up in an asylum) whose illegal book collection/library is destroyed:

  • His reaction shocks Beatty

  • Montag seems to reveal that he took a book of Fairy Tales from an illegal library when he uses the phrase ‘Once upon a time…

  • Montag is influenced by Clarisse—he too is now asking questions, like did Firemen always create fires, or did they once extinguish them in the past? He seems to be questioning his PURPOSE (p.34)

  • By the end of this scene a woman chooses to go up in flames and die with her book collection (p.39) Thus this death is symbolic; the woman believes that ideas, knowledge, intellectual curiosity and freedom are worth dying for—and without these things as part of her existence, life isn’t worth living.

  • The other Firemen, apart from Montag, have literally no reaction to the fact that they’ve just needlessly ended a life and essentially committed a murder. Yet another commentary on this society’s (in the novel) feelings about any and all life forms: When Mildred attempts suicide, When the Mechanical Hounds hunt and kill small creatures for sport, When a woman is incinerated, all of these demonstrate a total disregard and detachment from the value of life—NOBODY MATTERS.

  • Mildred can’t remember how or when she met Montag (p.43)—What does this say about their relationship? Do they love each other? Is there any bond/intimacy/attachment at all?

  • Montag is certain that he would not have cried had Mildred successfully killed herself (p.44)

  • Montag, as he continues to question life, seemingly for the first time (in a long time or maybe ever), wonders, “How do you get so empty? (...)Who takes it out of you?” (p.44) Thus we begin to see how he feels about the state of his life and of his society; it’s empty, it sucks the life out of you, essentially rendering you a shell. What is the “it” he feels is stripped from him by his society?

  • Explain how starting to ask questions marks a change/ evolution in Montag.

  • Clarisse and her family are gone (p.47). According to Mildred, what may have happened to Clarisse? How would you describe her reaction to Clarisse’s possible death?

  • Montag assumes the Mechanical Hound is outside of his house late at night as he is lying in bed (p.48). Is he being paranoid or is this a logical suspicion?

  • Mildred refuses to turn off the TV EVER (p.49), despite her husband being unwell. Refers to the characters on screen as her ‘Family’.

  • Montag claims to be sick (p.49), is he really? Why might he no longer want to go to work? (Hint: explain how the fiery death of the woman with the book collection changed Montag) 

  • Mildred has no reaction at all to Montag’s news that a lady was incinerated/ burned alive with her book collection (p.49-50)

  • Mildred believes that the incinerated woman deserved her fate and says, “I hate her,” (p.51)

  • Why does Mildred ‘hate’ the woman who was incinerated along with her book collection?

  • Montag says, “There must be something in books, things we can’t imagine, to make a woman stay in a burning house…You don’t stay for nothing,” (p.51)

  • “This fire’ll last me the rest of my life. God! I’ve been trying to put it out, in my mind, all night,” (p. 51) 

  • Montag asks Mildred how long it’s been ‘since she was bothered’ (p.52). I would argue that you can replace the word ‘bothered’ with ‘cared’. It seems that the world in this novel is preoccupied with preventing thought and engagement; hence nobody is aware enough to be bothered by anything.

  • Beatty explains to Montag that books disappeared initially due to public demand, not because of tyrannical governmental policies (p.57-8). Written materials that continue to be allowed and exist include:

          -Comic Books

          -3D Pornography

          -Confessions (Tabloids)

          -Trade Journals

 

Why are the above written materials actually allowed in the society of this novel?

Why are these acceptable written materials? Because Porn & Gossip alienate people, they encourage judgment; they objectify and reduce entire lives to a few salacious bullet points. Trade Journals, on the other hand, exist solely to help people become better at their jobs, while comics provide shallow, escapist fantastical scenarios…

  • “…the word ‘intellectual’…became the swear word it deserved to be,” (p.58). Intellectuality becomes profane in a thoughtless society.

  • Beatty explains that, “We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of the other; then all are happy…” (p.58). Thus everyone in this society becomes equal and united in their ignorance and due to their strict adherence to policies that cultivate and enforce illiteracy and thoughtlessness.

  • Beatty: “A book is a loaded gun…” (p.58)

  • The role of Firemen was redefined so it became a “new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges, and executors,” (p.58-9)

  • “…People want to be happy…Don’t we keep them moving, don’t we give them fun? That’s all we live for, isn’t it?”(p.59)

  • Funerals no longer exist/happen simply because they make people sad (p.59-60)

  • Once people die, “Forget them. Burn all, burn everything. Fire is bright and fire is clean,” (p.60)

  • Beatty describes in-depth that society is plagued by ‘odd ducks’, ‘outsiders’, whom the government has been cleansing out of existence for years (p.60). This is entirely akin to the holocaust, only instead of a religious group being eliminated, it’s anybody, regardless of race, gender, age (etc) who continues to think, read, engage, etc. Essentially this is a  form of anti-intellectual Eugenics (a science that tries to improve the human race by controlling which people become parents)

  • According to Beatty, Clarisse “was a time bomb…she didn’t want to know how a thing was done, but why…You ask a lot of things and you wind up very unhappy…The poor  girl’s better off dead,” (p. 60)

  • “We’ve lowered the kindergarten age year after year until now we’re nearly snatching them from the cradle,” (p.60)

Beatty: “If you don’t want an unhappy man politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none,” (p.61)

  • Beatty says of the Firemen, “We’re the Happiness Boys,” (p.61)

  • Montag decides that he’ll never go in to work as a Fireman again (p.63). Why? What has triggered this decision?

  • “I’ve got an awful feeling that I want to smash things and kill things,” (p.64). This is becoming an increasingly common sentiment throughout the novel. This so-called happy future society is full of people who want to destroy and kill things for pleasure in order to release/ vent their anger. In response to this statement, Mildred suggests to Montag that he take the car out, drive dangerously fast and run over dogs and rabbits like she does in order to release rage.

  • Montag says that he is full of anger, but he wants to hold on to it (p.64). Why is that? Why does he seem to value and appreciate this anger?

  • Montag says that he may start reading books and is fine with being sent to jail over it (p.64-5)

  • Montag shares his secret book collection with Mildred (p.65-6)

  • Montag pleads with Mildred to give him some time to try reading books to confirm for himself if Beatty’s claims about books are true (p.66-7)—which is to say , are books just full of nonsense that only creates trouble or do they have a value?

  • Do you think Millie will support and join Montag on his quest to read? Anticipate what will happen and justify your stance by examining her character traits.

  • Montag says, “Maybe it would be best if Firemen themselves were burnt,” (p.67)

Part Two: The Sieve and the Sand

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  • America has started and won 2 atomic wars since 1990 (p.73)

  • “Is it because we’re having so much fun at home we’ve forgotten the world?” (p.73)

  • Montag remembers meeting an English/ Liberal Arts teacher (p.74-5). He’s not mad that the man reads, has a secret book collection

  • Montag asks Mildred, “Does your ‘family’ love you…with all their heart and soul,” (p.77), referring to the TV family she is so attached to. Soon after asking this question Montag “felt he wanted to cry, but nothing would happen to his eyes or mouth.”

  • “Nobody listens any more…I just want someone to hear what I have to say,” (p.82)

  • Faber: “It’s not books you need, it’s some of the things that once were in books…Books were only one type of receptacle where we stored a lot of things we were afraid to forget,” (p.82-3)

  • According to Faber, not all books are ‘magic’. A book must have 3 features in order for it to matter and to be magic (p.83-5):

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  1. A book must have quality/ truthfully recorded details

  2. A book must offer leisure to digest its ideas and concepts: which is to say that they must be presented in such a manner that one can contemplate, question and engage without feeling manipulated, bullied or otherwise imposed upon

  3. A book must give the reader the right to act based the lessons we learn from 1 & 2

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  • “Don’t ask for guarantees. And don’t look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least you die knowing you were headed for the shore,” (p.86). Faber is explaining that the answers Montag seeks must be found in the world and are not exclusively contained within books. One must also earn knowledge and experience from living. Also, in spite of this advice, Montag seems to be going entirely against it by treating Faber as though he is the only one who can help and as though books are the only place to find answers.

  • Montag strong arms Faber into helping/ teaching him by tearing pages from the bible (p.88)

  • “Those who don’t build must burn,” (p.89)

  • Faber has created a device that will allow him to spy/ listen in on conversations. He offers the metaphor that he is the Queen Bee and the spies are his Drones (p.90-1). This metaphor implies that the spies are mindless/ thoughtless/ robotic beings serving a superior power—this doesn’t exactly offer a positive reflection of how he views the spies, and is a fascinating choice of words on the cusp of the bible/ organized religion entering the plot.

  • Faber is going to start reading The Book of Job to Montag in order to help him sleep (p.93).

  • The Book of Job is summarized and analyzed as follows; it endeavors to explore/ ponder/ address the question ‘Why do the righteous suffer?’ Essentially “the Book of Job tells the story of an extremely righteous man named Job, who is very prosperous and has seven sons and three daughters. Constantly fearing that his sons may have sinned and "cursed God in their hearts", he habitually offers burnt offerings as a pardon for their sins.” One day while conversing Satan suggests to God that Job is only pious and righteous because “God has put a "wall around" him and "blessed" his favorite servant with prosperity, but if God were to stretch out his hand and strike everything that Job had, then he would surely curse God. God gives Satan permission to test Job's righteousness.” Step by step, Satan destroys all of Job’s earthly possessions; livestock, agriculture, his home, until finally even his 10 children are killed. Yet, throughout all of these most horrific trials, Job refuses to curse God’s name and does not forsake his faith. Instead, the naked and dying Job declares, “Naked I came out of my mother's womb, and naked shall I return: Lord has given, and Lord has taken away; blessed be the name of the Lord.” Job’s suffering further escalates when God grants Satan permission to physically torment him. However, again Job’s faith is unwavering and ultimately “The story ends with Job restored to health, with a new family and twice as prosperous,” (http://en.wikipedia.org/wiki/Book_of_Job).

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Why the book of Job, is Bradbury foreshadowing something? Is Montag’s faith/ loyalty about to be tested? Are Beatty and Faber like Satan and God testing Job?

  • “It’s always someone else’s husband dies,” (p.94), which is to say, no worries, bad stuff only happens to OTHERS. Interestingly, Millie’s friends have been married multiple times, they have no attachment to their husbands, and seem as though they’d be fairly indifferent to their husbands dying.

  • Millie’s friends don’t know any men who died due to being soldiers, only due to suicide (p.94-5), and they know of many.

  • According to one of Millie’s friends, “No one in his right mind would have any children,” (p.96). Why do some people in this society no longer want to have children?

  • Mildred’s other friend, conversely, has children but plays no role in raising them; she just sends them to boarding school where they remain 90% of the time. She likens child rearing to throwing batch of clothing in the laundry (p.96)

  • Mildred and her friends explain why they voted for a certain presidential candidate; they voted based solely on his attractive appearance, and the decision had nothing to do with intellectual/ political factors (p.96-7)

  • Montag becomes so frustrated with the vapid conversation among the ladies that he brings a book to them in a fit of rage (p.97-8)

  • Montag reads a poem to the ladies and Mrs. Phelps starts to cry (p.97-8). Then Mrs. Bowles chastises Montag to tormenting the ladies with literature, to which he replies, “Go home and think of your first husband divorced and your second husband killed in a jet and your third husband blowing his brains out, go home and think of the dozen abortions you’ve had…and whatever did you do to stop it? Go home…Before I knock you down and kick you out the door!” (p.101) In this outburst, Montag displays a viciousness previously unseen in the novel. He has such disdain and hate for what seems to be the typical person in his society, why would he try to fight on their behalves?

  • The concept of Faber talking to Montag as a disembodied voice adds to the notion that he is meant to be seen as a god; a voice that only Montag can hear due to his faith and dedication to books.

  • Faber has told Montag that he is essentially undergoing a metamorphosis; from Montag as a lone ignorant man, to Montag-plus-Faber, until ultimately he sheds his foolishness and ignorance and becomes a new man, “Out of two separate and opposite things, a third […]one day he would look back upon the fool and know the fool,” (p.103)

  • Faber: “When I was younger I shoved my ignorance in people’s faces. They beat me with sticks…If you hide your ignorance, no one will hit you and you’ll never learn,” (p.104)

  • Beatty makes the 2 following statements to Montag when he returns to work at the firehouse:

  1. “…here comes a very strange beast which in all tongues is called a fool,” (p.105-5)

  2. “Who are a little wise, the best fools be,” (p.105)

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  • Montag is fixated on his hands which he associates particularly with the lies and deceptions he’s been perpetrating by hiding and reading books. In the narrative, Bradbury describes Montag’s hands as “ferrets that had done some evil”, unable to resist nervously fidgeting, as if having a mind of their own, then as dead/ withered, “gloved in blood” (p.105). Basically Montag seems to feel guilty and self-conscious because it is his hands that took, hid, and read the books, etc. But oddly, he’s projecting all guilt on to his hands and NOT on to himself as a whole—as though his hands are literally separate entities with minds of their own. He’s not taking ownership or responsibility for his deeds.

  • Beatty speaks to Montag expressing his sentiments in a manner that features Christian overtones; he refers to Montag as a stray sheep that has returned to the fold (p.105). Soon after Beatty also says, “The Devil can cite scripture for his purpose,” (p.106). This continues to hint at the possibility that Montag is a character akin to Job whose faith will be tested when he faces trials and tribulations mounted by the Devil (Beatty?).

  • Beatty: “Stick with the firemen, Montag. All else is dreary chaos!” (p.106)

  • Beatty shares his Dream with Montag; in it the aforementioned men are engaged in a debate concerning whether or not books have a value (p.106-7). Many interesting quotes.

  • Faber: “The most dangerous enemy to truth and freedom, the solid unmoving cattle of the majority…the terrible tyranny of the majority,” (p.108) aka ‘the tyranny of the masses’

  • Faber and Beatty are in a battle to win Montag’s mind (p.108)

  • The chapter closes with the firemen being dispatched to Montag’s home presumably to destroy his book collection (p.110)

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Part Three: Burning Bright

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  • It seems Mildred reported Montag’s secret library (p.114)

  • Montag incinerates his own home (p.116-7)

  • Montag incinerates Beatty, committing murder with relative ease (p.119)

  • Montag has his first emotional response in the novel when his eyes water (he nearly cries) as he contemplates whether the carload of kids killed Clarisse (p.129)

  • Montag stashes books in the (Mr. & Mrs.) Black family home and phones in an alarm to the firemen (p.129-30) thus commencing his revolutionary/ vengeance-fueled attack on the firemen.

  • Faber: “At least you were a fool about the right things,” (p.130). Is that really comforting? He could have done such important work had he just kept a level head and been strategic.  

  • A surreal scene in which Montag is watching TV to see what will happen to him and Faber (p.137). This is notable because rather than relying on his 5 senses and thus his perception of reality, Montag instead must watch television. He literally becomes a spectator to his own life. 

  • Montag is in the woods/ barn and finds himself in a place that he describes in almost heavenly terms (p.143-5). He also has the inexplicable intuition that Clarisse must have been there at some point

  • Montag meets people in the woods (p.146-7) who recognize him. They offer a substance that will alter his scent and thwart the Robotic Hound’s pursuit

  •  Granger explains that the government will falsely claim that they found Montag, “because they know they can hold their audience only so long. The show’s got to have a snap ending, quick! (…) They’re sniffing for a scapegoat to end things with a bang,” (p.148)

  • The police orchestrate the capture of a FAKE Montag (p.148-9). This occurs in order to create the illusion that the government is all powerful and that doing the ‘wrong’ thing will always result in a capture

  • Montag has a symbolic Rebirth, which is confirmed when Granger says, “Welcome back from the dead,” (p.150). The death of the false Montag can also be perceived in a literal manner; the Montag who once was is now dead. Hence, he is no longer a fireman, no longer a husband, he has lost all of his worldly possessions, he now reads--- He has fully undergone a metamorphosis 

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  • Montag: “I don’t belong with you (…), I’ve been an idiot all the way (p.150)

  • Granger: “We all made the right kind of mistakes, or we wouldn’t be here,” (p.150)

  • Granger: “When we were separate individuals, all we had was rage,” (p.150)

  • Granger explains that if a book disappears, the man who read it BECOMES the book (p.151)

  • Granger: “All of us have photographic memories, but spend a lifetime learning how to block off the things that are really in there,” (p.151)

  • “We’re the odd minority crying in the wilderness. When the war’s over, perhaps we can be of some use in the world,” (p.152). The philosophy described in this passage is the most literal way one can be passive; retreat fully from society and hide in the wilderness until it changes in the desired fashion. The problem is, however, that these guys are waiting for other people to fight for, make sacrifices and ultimately implement the changes they want for the world. Is this cowardly? Is this a valid conscientious objection? Do people have an obligation to somehow work towards the changes that they want to see in the world?

  • Granger: “…You can’t make people listen. They have to come ‘round in their own time, wondering what happened and why the world blew up under them. It can’t last,” (p.153). Or can it?

  • According to Granger the wonderful thing about mankind is that, “he never gets so discouraged or disgusted that he gives up doing it all over again, because he knows very well it is important and worth the doing,” (p.153)

  • Montag has become a new type of firefighter at the end of this scene, to complete his transition—he is now putting fires out (p.154)

  •  A bomb is dropped (probably atomic) on the nearby city, presumably resulting in massive, large scale destruction (p.158-9)

  • Granger says that when people from now on ask this wandering group of intellectuals/rebels what they’re doing, they can reply, “We’re remembering,” (p.164). What they remember is books—they read them once and have them fully memorized. Granger continues, “Someday we’ll remember so much that we’ll build the biggest goddamn steam shovel…and dig the biggest grave of all time and shove war in and cover it up,” (p.164)

  • The novel basically ends on this note, bringing the Book of Job metaphor full circle. Job, the man whose worldly possessions were destroyed, whose family was decimated, whose home was obliterated, whose physical form was plagued, never lost his faith in god. In the end Job receives a new family and resumes being a successful man. Montag’s home is destroyed, he loses his job, loses his wife, loses his worldly possessions—even symbolically dies on the news. Then ultimately Montag, because he never loses his faith in himself/ in intellect/ in the importance of thought and literature, gets his new beginning; when the world around him is destroyed; he gets to be one of the survivors who will play a role in shaping the future America.

  • Thus this novel is partly about faith, not about faith in religion per se, but rather faith in humanity, in the importance of fighting for what matters and never surrendering to cynicism.

  • Themes Include:

  1. The importance of taking a stand

  2. Determining what is worth fighting for

  3. The importance of being aware and actively participating in society

  4. People can always change/ It’s never too late to evolve

  5. The importance of freedom

  6. The consequences of freedom disappearing from society

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